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Watercolor Toolbox: Basic Essentials for Artists

October 12 @ 1:00 pm - 5:00 pm

$330.00

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Watercolor Toolbox, October 2024 Registration
$ 330.00
6 available

An 3-Week In-Studio Workshop!

Saturdays, October 12, 19, and 26, 1-5pm

View our current in-studio Health and Safety and Cancellation Policies >>


About this Workshop:

Watercolor is distinct and very different from other painting mediums. This workshop will provide a basic introduction to the medium, including materials and mixing methods, to build student confidence in how watercolor can be applied in their personal artistic endeavors.   

Students will have an opportunity to practice multiple methodologies and demystify handling of the medium in the first two sessions. In the final session, students will be encouraged to bring in a piece of their own work to the workshop to discuss appropriate approaches and troubleshoot possible issues. Examples can include prints, books, sketchbooks, and drawings.

Level: All levels – great for beginners or more experienced artists looking to reinforce their foundations in color theory and mixing.

Registration closes October 3, 2024. Material fees are included with your registration to cover the supplies provided in class. Students will need to gather/purchase additional materials for class (see the materials list below). This list will also be provided with the registration confirmation email.

Sample images by Jenny Walton

CLASS MATERIALS LIST:

Registration includes a $16 materials fee to cover consumable materials provided in class, including additional tools, additives, tape, and a sampler pack of Yupo and mulberry paper. Students will need to supply additional materials of their own, including:

  • Watercolors** – Students are encouraged to bring sets they may already have. You will need a warm and cool hue for each major color. This includes:  
    • Lemon yellow
    • Cadmium yellow medium (can also be Gamboge Yellow)
    • Ultramarine blue
    • Prussian blue
    • Cadmium Red Medium (can also be Grumbacher Red or Windsor Red)
    • Alizarin Crimson (or Quinacridone Red)

Also recommended:

    • Viridian Green
    • Burnt Sienna
    • Yellow ochre
    • Payne’s Grey
    • White artists gouache (not Acryla)

** These can be in tubes or pans. (Hues of a color are acceptable, but won’t be as strong in pigmentation) if purchasing pans, please make sure you also buy a container for them.  Altoid tins or plastic pencil boxes can sometimes work for this.

**Recommended brands are (Windsor and Newton, Van Gogh, Daniel Smith, Utrecht professional, Grumbacher Artist Colors, Maimeri, Holbein, Sennelier, Schmincke, and Old Holland. 

If buying new, here are some great starter sets: Cotman Sketcher’s Pocket Watercolor Set; Cotman Customizable Travel Tin Watercolor Set; Van Gogh Pocketbox Watercolor Set.  These will be sufficient to get you through class.

 

The following materials are Optional for this course:

  • Tackle box for organizing and transporting paints and brushes
  • Painting smock
or apron (we’ll have extras)
  • Personal hair dryer (to speed up drying times)
  • An old (cleaned!) or new, inexpensive toothbrush
  • Any sheets of watercolor paper in hot or cold press, 140 lb or higher, from your personal stash you’d like to use
  • Drawing board or other hard surface for stretching and propping watercolor paper
  • Recommended reading: A Complete Guide to Watercolor by Ray Smith and Elizabeth Jane Lloyd. Published by DK Publishing, 2002 ed.  ISBN-10: 0789487985, ISBN-13: 978-0789487988
  • (for Day 3) Any project you’d like to work on in class to help troubleshoot and receive advice on. This could be a painting in progress, a new work, a print you’d like to add color too, etc.

YOUR INSTRUCTOR:

Jenny Walton holds a BFA from Central Washington University and an MFA from American University (D.C. and Italy). Walton has shown nationally in New York, Miami, Boston, and Seattle and internationally in Italy. She was awarded an Artistic Fellowship from the D.C. Commission on the Arts and Humanities among several other grants and residencies including Vermont Studio Center, Pyramid Atlantic Art Center and Hamilton Princess, Bermuda. She has been critically published in several catalogs and articles and her work is held in several distinguished private and public collections.  She lives and works in the Washington D.C. area. Learn more about her work at www.jennywaltonart.com.

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