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Introduction to Mixed Media Printmaking
May 30, 2024 @ 6:00 pm - 9:00 pm
$206.00A 2-Day In-Studio Workshop!
Thursdays, May 30 and June 6, 6-9pm
View our current in-studio Health and Safety and Cancellation Policies >>
About this Workshop:
Looking for ways to explore printmaking beyond the singular page or edition? This hands-on course will teach you the basics of color monoprinting and unique methods for collage. While creating our mixed-media prints we will consider approaches to mark-making, composition, and color. You will leave class with a small series of unique prints.
Level: Beginner – no previous experience necessary
Registration closes May 21, 2024. Material fees are included with your registration, though you’ll also need to gather a small list of additional/optional items for class.
Sample image by Kim Bursic
CLASS MATERIALS LIST:
Registration includes a $45 materials fee to cover consumables like paper, printing plates and ink. Students will need to supply additional materials of their own, including:
- Personal apron (we’ll have extras on hand) or where clothes that can get messy
- Any old prints and drawings on paper you want to experiment with
- A variety of textured items such as lace, string, fruit and vegetable ‘netting’ bags, thread and other materials you’d like to experiment with for collage and texture
- Any decorative papers you might have for collaging, including Chine collé Japanese papers, Korean papers, book pages, etc.
- (optional) Personal Xacto knife and/or scissors (we’ll havea class set)
- (optional) Any additional Printmaking paper you might want to use, such as Rives BFK or Somerset
- (optional) Sketchbook/notepad and pencil for sketching and/or taking notes
YOUR INSTRUCTOR:
Kim Bursic is a painter, printmaker, and collage artist. She studied at the University of the Arts in Philadelphia, where she received a BFA in printmaking and book arts. She relocated west to Washington State University to complete my MFA, focusing on printmaking, monotype and large format book structures. Her time and travels in Washington and the Pacific Northwest ignited her interest in landscape as a visual language. After graduate school, she worked on the Umatilla Indian Reservation at Crow’s Shadow Institute, a non-profit printmaking and art studio. Then she was offered a position at Tyler Graphics in NY as an etching printer. There she learned how to make fine art prints for artists such as Helen Frankenthaler, Frank Stella, Al Held, and John Walker. After working many years as a professional printer, she found painting to be a good fit for her personal and artistic needs. She regularly incorporates both into her works on paper. Learn more about her work at kimberleybursic.com.